I immediately contact his old label, Type. The victim, named Connor Long, is in a coma. Joy becomes shock: a young man has been hit by a car. It is November 2019, and I finally pick up Connor Kirby Long’s trail in an article from an American local newspaper, dated July 11, 2019. I remain hopeful, but I no longer really expect to find an answer. The regular searches have become a habit, motivated first by curiosity, then by nostalgia…by now, my quest has become an end unto itself. Connor seemed to vanish without a trace – why? For years I have searched the Net for some trace of this enigmatic kid. Neither, though, has the obvious, troubling question. Here I am, fifteen years on from the album’s release, and Handwriting has never left me. A new voice was born…but the eagerly anticipated follow-up never came. Handwriting was immediately considered a masterpiece by the Anglo-Saxon press: secretly recorded in the basement of the family home, using a computer and a microphone from a Japanese language learning kit, Connor Kirby Long’s music was inimitable. A moving encounter with a young man as touching as he is honest.Ī few weeks ago, I wrote an article about Khonnor’s only album, Handwriting, composed in 2004 by a lonely seventeen-year-old from Vermont. On the brink of death, shattered by a car accident and other accidents in life, the American artist is about to release his second album, 15 years after his first one. Khonnor is no more, but Connor Long is back, reborn as CCLCNG.
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